Frank Lloyd Wrights most eccentric LA homes, explained Curbed LA
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His experience in historic restoration and enthusiasm for the Ennis House ensured a thorough, high-quality completion of the many restoration tasks. The Los Angeles Conservancy holds a preservation easement on the property. As solid concrete walls, one would assume that the penetration of light inside is minimal. But upon closer investigation it becomes apparent that many of the pieces of textile blocks are punctured to create spaces through which light is revealed.
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The Ennis House, designed by Frank Lloyd Wright and built by his son, Lloyd, is the last and largest of the elder Wright’s four “textile block” houses in the Los Angeles area. These homes are noted for their patterned and perforated concrete blocks, which give a unique textural appearance to both the exterior and interior. Perched atop a hill in the Los Feliz neighborhood, it is among the best residential examples of Mayan Revival architecture in the country.

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Built in 1910 and located in Montecito, the design was a 5,000 sq, ft. “summer cottage” for Emily and George C. Stewart. His third design in the state (there were 24 in all) was a home for Charles and Mabel Ennis. Designed in 1923 by Wright and built by his son, Lloyd in 1924, the home is located in the Los Feliz neighborhood of Los Angeles. The house has roughly 6,000 square feet of living space, with 3 bedrooms and 3.5 bathrooms. The property is divided into two separate structures, between which lies a gated motor court that can accommodate 6 cars. What’s interesting to note is that some of these granite blocks are punctured to allow natural light into the house.
Frank Lloyd Wright’s Only Known Structure in Malibu Burned Down in a Wildfire. Now Comes the Chance to Rebuild - artnet News
Frank Lloyd Wright’s Only Known Structure in Malibu Burned Down in a Wildfire. Now Comes the Chance to Rebuild.
Posted: Tue, 01 Aug 2023 07:00:00 GMT [source]
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The Ennis House rises in stages, with over 27,000 blocks arranged across a concrete platform and buttressed by a retaining wall. Though concrete was still considered a new material in the 1920s, especially for home construction, Wright believed it had promising potential for affordable housing. He created a block construction system with patterned surfaces, which lended a unique textural appearance to both the exteriors and interiors of his residences.
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Water migration contributed to the deterioration of many of the blocks over time. Wright's client was Charles Ennis, the owner of a men's clothing store in downtown L.A. For each of Wright's houses built with concrete blocks, or textile blocks as they are often called, Wright designed a custom pattern. Within the interlocking form, it's possible to interpret a stylized "g" -- perhaps an allusion to the Masonic Order, of which Ennis was a member, and the organization's symbol, the compass with the letter "g" in the middle representing God. The three-bedroom, three-and-a-half-bathroom home is composed of a main house and detached guest quarters that sit on just under an acre of dusty hillside property in Los Angeles.
Whether you’re a fan of movies, Hollywood history, architecture, or all of the above, adding the Ennis House to your Los Angeles itinerary is a must. With its prime location in the Hollywood hills, this unique home is easy to find and impossible to miss. Architecture buffs have more to enjoy as we continue through a neighborhood of eclectic homes of differing architectural styles.
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In the park, you’ll find The Greek Theatre and Griffith Observatory, the latter of which provides some of the best views of the Hollywood sign anywhere in the city. It is possible to drive directly to the Ennis House, but keep in mind the roads are narrow and windy and the neighborhood, and you’ll want to be mindful of local parking restrictions. A good alternative is to park in Griffith Park near Franklin Cafe and hike up to the neighborhoods. That’s exactly what we do on our Hollywood Sign and Griffith Park Hike, and your guide will lead the way. After stopping at the Greek Theatre, a 5,000-seat outdoor amphitheater, we head up the trail and detour into the neighborhood just outside of the park. Through its almost 100-year existence, the house has the interesting distinction of appearing in countless Hollywood productions (more than 80, according to the Frank Lloyd Wright Foundation).
After the rains the building was briefly red-tagged as "no entry" but was down graded to yellow- for limited entry by late 2005. At that point significant damage to the retaining wall at the southern rear of the building remained. In 2005 the house was added to the National Trust for Historic Preservation's list of the "11 Most Endangered Historic Places".
The house consists of two buildings, the main house and a smaller chauffeur's apartment/garage, separated by a paved courtyard. In the backyard is a large swimming pool and slender koi pond, and the south-facing side of the home features a number of terraces, balconies, and private courtyards with more amazing views. A gated motor court that can easily accommodate at least a half-dozen cars sits between the main house and the guest quarters.
It was also a popular setting for commercials and ads of all kinds, and it even served as inspiration for the set designers on Game of Thrones. Obviously, Frank Lloyd Wright’s work continues to inspire, even after a century. While it was Ridley Scott’s 1982 cult classic, Blade Runner, that made the house known around the world, Frank Lloyd Wright’s masterpiece has made it to our screens far more often than you might have realized.
The home sustained serious damage in the 1994 Northridge earthquake and torrential rains of 2005. Privately owned by billionaire, Ron Burkle, it is undergoing a complete restoration and is currently closed to the public. Designed for Mabel and Charles Ennis in 1923 and completed in 1925, the Ennis House was Frank Lloyd Wright's last Los Angeles-area textile block-style project and the largest. After passing through five owners, it was purchased by Augustus Oliver Brown, who lived in it for many years, opened it for tours, and donated it for public use. Built for retailer Charles Ennis and his wife Mabel, the home and chauffeur’s quarters span over 6,000 square feet. They are constructed of more than 27,000 concrete blocks, all made by hand using decomposed granite extracted from the site.
It may be best known as the place where Rick Deckard (Harrison Ford) lived in the 1982 film "Blade Runner," but it has also appeared in countless films, television shows, commercials, and photo shoots. Media personality John Nesbitt purchased the Ennis House, an engaged Frank Lloyd Wright to return to the property to add a pool on the north terrace, a billiard room on the ground floor, and a modern heating system. A conservation easement is placed on the Ennis House, protecting the house in perpetuity whereby the Conservancy will ensure the house is maintained and preserved in the future, despite any subsequent ownership changes. Business executive Ron Burkle purchased the house and over the next few years completed the full restoration of the Ennis House.
Yet there are some architectural gems that only get more impressive with time and even after decades have passed, leave us in awe with their masterful design. The technical shortcomings of the system were obvious from the beginning. On top of the walls to water leak caused more problems than the production itself.
Longtime Conservancy member and supporter Robert Leary also joined the board and was elected its president. He became an essential link between the EHF and the Conservancy, the Los Angeles Conservancy and the National Trust. Eric Lloyd Wright, son of Lloyd Wright and grandson of Frank Lloyd Wright, also joined the board and became an important voice in the project. "My grandfather designed homes to be occupied by people," his statement to The Times said. "His homes are works of art. He created the space, but the space becomes a creative force and uplifts when it is lived in every day."
Channeling Mayan and Aztec patterns, some of which also received exposure at the Panama-Californian exhibition, the architect saw a new form that would be more authentically American than a style imported from Europe. The lack of standardization prevented because each building needed a number of different pieces. By not allowing the construction of floors or roofs, the system is incomplete. To remedy, was scheduled to conceal the cabríos wood paneling and moldings. The actress and passionate about architecture Diane Keaton directs an association that brings together the efforts of three institutions for the conservation of monuments and is the spokesman for fundraising.
Because the house is situated in a densely populated neighborhood, tensions crop up when there are film production crews as well as streams of tourists and restoration construction workers. Because the house is situated in a densely populated neighborhood, tensions have arisen over the years in regard to film production crews, as well as the streams of tourists and restoration construction workers. Initially supervised by Frank Lloyd Wright's son Lloyd Wright, the owners took over construction supervision after the superstructure reached the windows.
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